Showing posts with label Dianne Sutherland Ball. Show all posts
Showing posts with label Dianne Sutherland Ball. Show all posts

Monday, 16 February 2015

Art and Friendship

“In the sweetness of friendship let there be laughter, and sharing of pleasures. For in the dew of little things the heart finds its morning and is refreshed.”
Khalil Gibran

They say that art is a solitary pursuit, and it’s true that we artists spend many hours alone in our studio quietly painting. However the more that I paint, the more I realise that there is a wonderful social side to art. It’s about connecting. We paint because we want to show the world what we see. 

Scarlet Tiger Moth by Claire Ward
Sharing the results of our creative endeavours with others, makes art all the more pleasurable.
Just as a flower needs sunshine and water, we need a little bit of encouragement and friendship to grow.

 Eyed Hawkmoth (Smerinthus ocellatus) on vellum by Dianne Sutherland Ball

Thankfully connecting with others is easier than ever. The internet has literally thrown open the doors of our studios, allowing us to engage with likeminded people on a daily basis. I am constantly amazed at how generous people can be with their time, thoughts and advice. Their enthusiasm for art and passion for nature is both inspiring and motivating. I am constantly learning from them and discovering new things. 

Thistle on vellum by Sharon Tingey
Best of all, I have made some really fantastic friends through art. It brings me such joy to see their paintings and to hear about the projects that they are working on. When a friend achieves success, I share in their excitement. When I put up images of my work online, they in turn give me encouraging and often insightful feedback. Even when things aren't going to plan, there is always someone will always be ready to offer advice or suggest a solution.

A wonderfully thoughtful parcel of gifts that arrived unexpectedly last week. 
Being part of a vibrant online art community is an incredibly rewarding experience. I'm delighted to say that it's not just online too. I have been getting all sorts of treats and surprises in the post- paints and brushes, natural treasures, papers, books and even some beautiful art. Art swaps are also a great way of making friends and sharing that creative spirit.

"It's a wonderful thing being able to paint together all the time and grow as artists together." 
Scott Burdick

Three sketchbooks from the Natural Sketchbook Exchange. One of the artists has made some beautiful covers for each book
Art can also lead to some wonderful collaborations. I'm thrilled to be part of the Natural Sketchbook Exchange which a group of talented friends started a year ago. The concept is simple- we all started with a Stillman & Birn sketchbook, took our inspiration from Nature and then posted it on. 

Terri Dauncey's beautiful sketchbook and my page of feathers about to be stuck in!
Isn't this amazing? A beautiful page of flowers and a little landscape by Giovanni Cera in Terri's sketchbook

Beautiful birch trees by artist Lorraine Adams with my page of prickles
Debbie Crawford's lovely raspberry ripple peonies in Lorraine Adam's sketchbook

Inspiring work by Aislinn Adams in Dianne Sutherland Ball's sketchbook

My conkers about to go into Dianne Sutherland Ball's sketchbook
Watching the sketchbooks slowly fill up with artwork has been such a thrill, each one is so unique and special. Recently we took a short break just to give ourselves a chance to catch up with our lives, and that's why I have ended up with three of gorgeous sketchbooks here in my home.
Oh, they are such a joy to look through! I’m reluctant to part with them, but have the excitement of getting the next one in the post very soon.

A calendar and a card from Elizabeth H Tudor
And even as I write this blogpost, I hear a knock at the door, and another parcel has just arrived! This time it is from Canada with a lovely calendar and a card. Thank you Liz! What a fantastic surprise!

Art is not just a solitary pursuit, it’s definitely a social one too. It has made me realise that I am truly blessed with my friends. To each and every one of you, thank you for the kind words, the encouragement, the advice, the good wishes, the art, the gifts and for the smile that you put onto my face each day.

"I cannot even imagine where I would be today were it not for that handful of friends who have given me a heart full of joy. Let's face it, friends make life a lot more fun."
Charles Swindoll


Saturday, 16 November 2013

Practice makes Perfect



 “Don’t only practice your art, but force your way into its secrets, for it and knowledge can raise men to the divine.” Ludwig van Beethoven

For a long time now, I have wanted to learn how to paint on vellum. For those that don’t know, vellum is a type of parchment prepared from animal skin (usually calf). It is prized for it’s smoothness, it’s durability and above all, that magical translucent luminosity that it brings to watercolour paintings.

Cherry leaf on vellum, Dianne Sutherland Ball

However, it’s not that easy- painting on vellum is not like painting on paper. It doesn’t like a lot of water, so requires a special dry brush technique and an awful lot of patience. It’s also eye-wateringly expensive!

Fortunately my friend, the very talented Dianne Sutherland Ball, recently set up an online course in vellum painting, and as I am a huge fan of her work, I signed up. I’ll be writing more about vellum as the course progresses.

So this week found me going right back to the basics once more, drawing out little squares and circles onto paper and practicing over and over again- flat washes, graded washes and dry brush techniques. I experimented with different brushes, trying ones that have been long neglected and forgotten, some that have never ever been used! Some worked beautifully whilst others were a total disaster! It’s the perfect excuse to order some lovely new brushes… well, I’ll need them for the vellum!

Back to basic- the top was my first attempt with dodgy washes and odd shaped balls. The second attempt was better. The egg was my first dry brush attempt..

I played with the paint, trying out new ways of putting pigment onto paper and pushing it around the page, lifting and blending and occasionally cursing!  As I worked, I found myself contemplating how beneficial these kind of exercises are, and how they can open the door to new discoveries about ourselves as artists.

A previous practice page of fresh dates (Phoenix dactylifera) with some real ones thrown in

So often in life, we rush into things headfirst, impatient to start and too eager to finish. However, there is a lot to be gained in taking things slowly and going back to the basics. Often the path to mastering a technique requires endless repetition.

Page of olive leaves (Olea europaea)

There is something quite satisfying about filling a page with leaves, repeating it over and over again. I’ve often spent an afternoon, chasing something across a page, each time tweaking it to get the right colour, the right tone.

Struggling to capture the soft fuzzy grey of the Dusty miller plant (Senecio cineraria)

It’s that relentless pursuit of perfection, or as Vincent Van Gogh said “I am seeking. I am striving. I am in it with all my heart.”

Oleander leaves (Nerium oleander) and a strange looking Aloe succotrina leaf 

Cinnamon quills

Shells make great practice pieces
A small dry leaf can keep me busy for a few hours... yes, I'm easily amused!


There's never an excuse not to practice... I once whiled away an afternoon in a busy waiting room .
Next week I hope to start on the vellum and will let you all know how I get on. For now I will leave you with a few useful links and another quote. I'm off to practice some more!

"As practice makes perfect, I cannot but make progress; each drawing one makes, each study one paints, is a step forward."  Vincent van Gogh