Daily Moments

 “Painting from nature is not copying the object; it is realising one's sensations.”  

Paul Cezanne

This week has been a busy one, but inspired by the artists who are taking part in the 30 Day Challenge, I have managed to put aside an hour or two each day to sit down and paint. There is something quite liberating in doing these small daily challenges. The focus is not on producing a finished piece of work, but just on the simple pleasure of creating.

The week began with a study of geranium flowers. I had been asked to paint a single flower as part of a commission, but it was such an enjoyable subject that I couldn’t resist filling the page with petals and buds. Every time I see geraniums I think of warm sunshine and the long lazy days of summer… bliss!

The trick to painting reds is to use lots of layers. I used initial washes of winsor orange, winsor orange-red and permanent rose. Then I applied glazes of scarlet lake, vermillon, winsor red and finally Schmincke Dark Red, which I think is the best dark red that you can find. For the darkest shadows, I mixed the dark red with a tiny bit of winsor purple.

Next up was the strange little fruit of the  Handkerchief tree, Davidia involucrata. This tree is best known for the large leafy bracts which hang like white handkerchiefs over small flowers in spring. I was curious about the fruit, which had a slightly pungent aroma, so included a dissection.

Davidia involucrata

Gingko biloba leaf. 

A  Gingko leaf was next on my easel. My little leaf was past it’s best but that made it all the more enjoyable to paint. I have never painted one before, but it’s a very popular choice for botanical artists, perhaps because of Rory McEwen’s superb depiction of a gingko leaf. For those who have never heard of Rory McEwen, he was one of the most influential botanical artists of the twentieth century. Here's a short video about his work-

The following day I painted the tiny blue fruit of the Woodland-Passionflower, Passiflora moriflora.  I was short of time, so did just a simple line drawing of the vine and the leaf. It’s such a pretty plant with an abundance of flowers and wonderful tendrils, definitely one for my ‘Must Paint List’.

 I was quite curious about the little blue fruit that I had painted, so the next day, I cut it open. I was surprised to find bright orange seeds and deep purple flesh. What a striking and unexpected combination. It tasted horrible though!

My final subject was a tiny acorn that I found whilst out on my walk. I collected quite a few which I hope to paint before putting them in the garden for the hungry resident squirrel.

The weekend came but there was no time for painting because I went on a photography workshop in  June Blake’s Garden in Co. Wicklow. What a stunning place! This excellent workshop was run by Bernard Van Giessen of www.catchlight.ie.

Although I almost always paint from life, I also take reference photographs of my subjects as a back up. I also prefer to photograph my work as I find the scanner too harsh. However my little camera has been set on automatic since the day I got it, and I really wanted to learn how to use it properly.

 What a wonderful day it was! The garden is magnificent and Bernard was patient, informative and incredibly encouraging. To top it off, the company was great and there was a really delicious lunch too.

By the end of the day, I had learnt how to take a semi-decent photograph, met some lovely people and finally understood what an f-stop is! It’s definitely manual all the way for me from now on!

Life may be hectic, but it’s really worth putting aside a little time each day to live in the moment. Paint, draw. or simply go outside and take a photograph.

“Be happy in the moment, that’s enough. Each moment is all we need, not more.” 
Mother Theresa

Autumn Treats

"Every leaf speaks bliss to me, fluttering from the autumn tree." Emily Bronte

Autumn is a visual feast for botanical artists. No season in all the year is as radiantly glorious as the early autumn, particularly when the weather is as pleasant as it has been this week.

“The time of the falling leaves has come again. Once more in our morning walk we tread upon carpets of gold and crimson, of brown and bronze, woven by the winds or the rains out of these delicate textures while we slept.

      How beautifully the leaves grow old! How full of light and color are their last days!” 

  

  John Burroughs (The Falling Leaves)

This week, I’ve been busy with a commission, and whilst painting a non-botanical subject has been a pleasant change, I must confess to feeling a pang of longing every time I step outside. The beautiful russets and golds of fallen leaves lie everywhere, and every hedgerow seems festooned with an abundance of berries and fruit- scarlet, jade, crimson and purple.

Everywhere the delicate green flowers of the ivy beginning to peek out from their glossy  coat of green leaves, attracting a host of nectar-hungry insects.

Conkers (the fruit of the Horse chestnut tree Aesculus hippocastanum) are also starting to fall, some still encased in their spikey green coats, whilst others lie gleaming like polished wood amongst the leaves. I want to pick them up and bring them all home. 

Conker -Fruit of Aesculus hippocastanum

As a child, my brothers and I would forage for hours seeking out the biggest, strongest conkers. The chosen conker was threaded onto a string, and then the conker battles would begin. The idea is to hit your opponent’s conker and smash it. Some people would ‘cure’ their conker by putting it in a warm place to harden, but I must confess to cheating and giving my conkers a secret coat of clear nail varnish.

Ready for battle!

During the First World War, there was a campaign in which everyone (adults and children), were asked to collect horse-chestnuts, and donate them to the government. The conkers were used as a source of starch to produce acetone, which was then used to make the cordite in military armaments. Conkers were chosen because they are rich in starch but not edible, Unfortunately the process was not efficient, and the factory closed after a few months. However, it's easy to imagine the happy respite from the horrors of war that this conker-gathering would have brought to families.

Immature magnolia seedpod

Rosehips

Damson study

This month a number of my botanical art friends are taking place in what has become an annual online event, The 30 day Challenge. Every day in the month of September, artists from all over the world have been painting small found treasures, and sharing the images online. I've missed the first two weeks of this year’s challenge, but with such an abundance of Autumn treasures, I’m really tempted to join in for the final flurry. You can read more about the challenge (and also how to take part) on my friend Sigrid Frensen’s blog- http://sigridfrensen.blogspot.ie/2014/09/30-day-challenge.html 

Dianne Sutherland Ball's 30 day Challenge painting is a real feast for the eyes.
You can read about the challenge on her blog-  http://diannesutherland.blogspot.ie/2013_09_01_archive.html

"Autumn, the year's last, loveliest smile."

-William Cullen Bryant