Showing posts with label SBA. Show all posts
Showing posts with label SBA. Show all posts

Monday, 15 February 2016

Saving the Art of Vellum

A blog post on why I am happy that the art of vellum is being saved.


Watercolour painting of yellow laburnum flowers on natural calf vellum by Shevaun Doherty
Laburnum anagyroides on vellum (crop)
I awoke today to hear the very good news that the British Government were not going ahead with their plans to stop using vellum for their archive copies of UK Acts of Parliament. 

The arguments for changing from vellum to archival paper were purely financial, because it is inconceivable that anyone would want to lose a centuries old tradition that includes the Domesday Book (1086) and the Magna Carta (1215). By switching to paper, the UK government claimed that they would save £80,000 per annum, although in fact, they only pay £46,000 p.a. to William Cowley’s, the sole producer of vellum in the UK and Ireland. It goes without saying, that the Irish Government would also quickly move to adopt such a decision if it was to go ahead.


So why do I care?

Wednesday, 29 October 2014

SBA Palmengarten Exhibition, Frankfurt

Palmengarten, Frankfurt
Sometimes the title of an exhibition sets your mind alight with all sorts of creative possibilities.

That was certainly the case when I heard about the SBA’s exhibition in Frankfurt ,'Poisonous and Medicinal Plants. I love that theme. Botanical art is not just about painting pretty plant portraits, it’s also about raising awareness about plants and their attributes. This exhibition promised to be both visually exciting and informative.
My choice of subject matter was easy- I’ve always wanted to paint the plants from the spice markets in Egypt. I really enjoyed visiting the markets, haggling for my wares and then doing research on my subject matter. I blogged about it here.

The Spice Market © Shevaun Doherty 2014
Whilst I was painting this, I received an email asking me to send my painting of Phoenix dactylifera too, as they would like to use the image on one of the posters. As a new member of this prestigious Society, that’s a real honour. I decided to travel out to Frankfurt to see the exhibition myself.

A happy me with my painting and the poster which had information about how to become a member of the SBA
I arrived a day early, so that I could lend a hand with the preparations. ‘Team Palmengarten” had already done a splendid job. Gaynor Dickeson and her husband Robin had spent the summer organising all the paperwork and forms, collecting the paintings, and then driving with a van load of art work to Germany. 

That’s 200 paintings from 70 artists, travelling through 1200 miles through five countries!! 

Friday, 20 June 2014

Flaming Hot



The Flamboyant Tree, Delonix regia     ©Shevaun Doherty 2013
They say that once you have drunk the waters of the Nile, you are destined to return.

There must be some truth in that, because for twenty five years I have been coming back to this beautiful country. It really is wonderful to be here once more, back to the palm trees and shimmering heat, and my lovely home by the sea. It took a few days to unpack, settle in, and  recover from the long trip. I am delighted to say that my paints, brushes and large tube of paper all arrived safely too.

My studio overlooks the gardens and the pool, and you can just glimpse the turquoise sparkle of the sea through the palm trees … it’s not surprising that I love it so much!
 My only grumble was that the air conditioning in my studio wasn’t working. It’s fine in the morning, but by early afternoon the sun has crept around to that side of the house and with temperatures of 41°C, it makes painting a challenge! Somehow I don't think I'm going to get that much sympathy!!

Yes it is!!
Bird's eye chili peppers Capsicum annuum 2014


The dates are still not quite ripe. They hang in clusters, small, green and hard, and tantalisingly just out of reach. They need a few more weeks of sun to ripen. However, there’s plenty to keep me inspired and busy whilst I wait. I decided to do a small study of one of my favourite trees, Delonix regia, also known as the Flamboyant Tree or  Royal Poinciana

It is considered one of the most beautiful trees in the world, and you only have to see it in bloom to realise why. It is covered in an exuberant mass of fiery red blossoms. Quite simply, it’s a stunner! 

Sketchbook studies 2010- I didn't have a lot of reds in my art box then!!
I have painted this tree, or rather, I’ve attempted to paint it many times. One day I will do a painting that does it’s beauty justice. The flowers themselves aren’t too difficult, but the lacy fern like leaves with their multitude of tiny leaflets are not for the faint-hearted! It also has pretty impressive seedpods of up to 50cm in length! I was grateful to be able to look up my earlier studies to see what colours I used- it makes life so much easier when you take note of your colour palette!

Sketchbook studies 2012... better paper, a bigger selection of reds but a poor photograph (sorry)
Sketchbook study 2014
As this was just a sketchbook study, I decided to experiment and include a plein air study of the tree as well. Okay, I confess! The fact that there happens a tree growing right beside the pool where I have a comfortable sun lounger and an umbrella did play a part in this decision. It was great to loosen up and splash the paint about a bit, and I also had a bit of a splash in the pool to cool off when I had finished! 
This little piece will be stuck into a sketchbook upon my return for the Nature Trails sketchbook exchange.

A little plein air piece finishes it off nicely. The colours used were Winsor lemon, Winsor yellow, Winsor yellow deep, Winsor orange, Winsor red, Vermillon (Sennelier), Dark red (Schminke), Pink Madder (Pebeo), Alizarin, Quin red, Quin violet, Cerulean, Indanthrene and Perylene green.

So onto the next painting whilst I wait for these dates to ripen! The SBA are holding an exhibition in Palmengarten in Frankfurt in October, Poisonous and Medicinal Plants. I love this theme. I’ve already started a few studies in preparation. I won’t say much more, except that it involves a trip to the Spice Shop in the local Souk. Thankfully the air conditioning is now fixed… I’ve no excuse!


Plein air sketch of the local spice shop, 2009
I hope you are all enjoying your summer!

 “We live in a wonderful world that is full of beauty, charm and adventure. There is no end to the adventures we can have if only we seek them with our eyes open.”



Saturday, 12 April 2014

Fresh Water Exhibition- Agua Doce


It rained in Galicia, not a heavy rain, but a gentle persistent mist that softened the ancient silhouette of 
Santiago de Compostela.
 I had travelled with my parents to Galicia, to visit the Fresh Water Exhibition in the magnificent Gaiás Centre MuseumHowever not even the weather could dampen our spirits, because we had come to see my painting of  papyrus hanging in the museum




“With the works by geniuses such as  John ConstableDavid HockneyGerhard RichterLouise BourgeoisMario MerzMartín Chirino and Chema Madoz as well as important Galician creators, this exhibition proposes an intense aesthetic experience through a multidisciplinary selection of artworks including painting, sculpture, photography, video, installation, scientific devices and ethnographic pieces.”

A huge sculpture made of books representing a vortex of ideas and words
The exhibition was opened by Crown Prince Felipe on March 21st, on the eve of World Water Day, and has already had more than 7000 visitors in the first two weeks. The museum is vast, over 6600m2 of exhibition space, spread across four floors, but everything has been very cleverly laid out. A series of temporary walls, painted in rich dark colours, invite you to weave your way through, with surprises around every corner to intrigue and inspire you.

All life begins with water and water is essential for all life.
The journey begins.

“Water is the driving force of all nature.” Leonardo da Vinci

Of course, I was eager to see the botanical paintings, so we hurried to the first floor “Water on Earth”. This floor is dedicated to telling the story of the great rivers of the world, and how water has shaped the landscape. There is an incredibly impressive gallery with paintings by the likes of Gerhard Richter, John Constable, Anton Mauve, Graham Sutherland and  Henry Lewis, to name but a few. 

Finally we turned a corner, and there they were!! The SBA paintings. 


"Art and science, aesthetic impact and cool analysis are combined in the ornithological drawings of Audobon, who traversed the forests of North America in pursuit of the beauty of birds. ... A further example of the descriptive efforts of nineteenth century biologists is furnished by the botanical plates produced by Kew Gardens. This tradition lives on thanks to the work of members of the Society of Botanical Artists." (Exhibition catalogue)

L-R Sue HénonRobert McNeillShevaun DohertyMariko Aikawa 
Flying the flag for the SBA were Penny BrownSue HénonRobert McNeillMariko Aikawa ......and me! I felt quite humbled to find my work hanging beside such wonderful artists, but very, very proud.  Marta Chirino SBA also had three stunning botanical illustrations in the exhibition. 
Marta Chirino Argenta SBA
On an adjacent wall were the paintings from Kew Gardens. The artists were Fanny Russell, Joan Bacon, Margaret Stones and Sydenham Edwards.


 I especially liked the mixed compositions of Joan Bacon. I was charmed to later read that she won a medal  for her work at age 92!
Utagawa Hiroshige, Nishki-e (1833-34)
The paintings were all in good company because on the opposite wall, were a series of engravings by Hokusai and Hiroshige. What a treat!


Huge prints from another favourite, the master of ornithology, James John Audobon

This exhibition absorbs you, delights you and fascinates you. We saw paintings and sculptures from the Inuits, the Aboriginals, the Amazon river and of course the Nile. 

A gorgeous little travel sketch painted Egypt by Edward Lear, (author of The Owl and The Pussycat)

Butterflies from the Amazon River
The exhibition also explored  Hidden Water, Humankind's relationship with water, and finished with Gazing at the Sky. There was something for everyone, from Roman mosaics to modern-day spas, Egyptian amulets,engineering and scientific equipment, glassware (amazing stuff by Lalique) , satellite images, book illustrations (The Hobbit, Alice in Wonderland), sheet music (Johann Strauss's Blue Danube), photography, video installations, costumes, sculpture and much, much more.  Despite the diversity of objects everything had the common theme of fresh water.

David Hockney's Lithographs of The Weather Series. I especially like the middle one, The Rain. You can see a better image here

I loved this enormous painting by Spanish painter José Freixanes (2001) 200x200cm
The highlight of the whole trip was meeting the Director of the museum, María Periera, who came to meet me and talk to me about my work. It was such an honour to realise that my little painting is hanging alongside works from great cultural institutions like the MoMA, the Victoria & Albert, the Musée D’Orsay, the Rijksmuseum, the Reina Sofía and the Thyssen-Bornemisza. 

She presented me with a beautiful book of the exhibition that I will always treasure.

One happy artist with Director Maria Pereira!
The exhibition runs from March 21st until September 14 2014. If you are walking the Camino, or just visiting Galicia, it's definitely worth a visit.

Friday, 24 January 2014

Vegetables in an Arab Spring

Often when I look at my artwork, I can vividly recall that moment in time when it was being created- where I was, conversations that I was listening too and even the emotions that I was feeling as I laid brush to paper.


Three years ago, I was in Cairo. The weather was stormy and uncertain, unusual for that that time of year. The dark clouds mirrored an uneasy feeling in the city. There was trouble in Tunisia and rumours abounded, but it all seemed so far away and so unlikely. I was more interested in getting on with my botanical art assignment for the SBA. I had just bought some purple carrots (Daucus carota)  from one of the street stalls and was looking forward to starting my sketches. 

Believe it or not, once upon a time, all carrots were purple. Although they originate from Afghanistan, purple carrots have been in Egypt for thousands of years and are even depicted on tomb walls. 

The first sign of trouble was the internet being turned off, and then the telephones.  Then the protests started. We lived in an affluent area in Cairo and we were surprised to find a small crowd on the street outside. At each building, the crowd would call up “inzil, inzil, inzil” (meaning “Come down”), and they would smile and clap and cheer as people joined them on the streets. It was all very good natured and polite. There were children and people waving flags. I went back to my painting.

Within a few hours, all hell had broken loose. Shopping centres were plundered and set on fire, the police were gone and the prisoners had all been set loose. The images that were being shown on TV were both shocking and bewildering. Cairo was in chaos. We went to bed, unsure of what would happen the next day.


The next day we woke up to the sound of army helicopters in the sky and tanks on the streets. Black smoke from fire filled the air. The mosque began to call all the men to come and defend the neighbourhood. Suddenly the streets were filled with men carrying machetes, shotguns, swords, batons, baseball bats … whatever weapon they could find. The Army began to send text messages to us all, telling people not to panic. Everyone was terrified. A curfew was set in place and people were told to close their curtains and not to venture out.  I stayed at home and painted vegetables.





Written on the side of the page- "We all have a voice"

It was a surreal and frightening few weeks. People were terrified of what might happen but with their worries came a great sense of community. People looked out for each other, shared food, swapped stories. The young men guarded the streets from attack.  Neighbours called into each other and brought dishes of hot food. There was fear, but there was enormous optimism too. 



Three years on, I find myself looking at these vegetable studies and my finished carrot painting,  and all these emotions and memories come flooding back. So much has happened since. I hope Egypt finds the peace and stability that it deserves. My Revolutionary Carrots will be submitted to the SBA this year.

Thursday, 31 October 2013

Cucurbits and other monsters

I suppose there never is the perfect time to start a blog. So, with no reason other than it’s a sunny Hallowe’en here in Dublin and I have a few pumpkin sketches ready to upload, I’m going to start!

In 2010 I was accepted onto the Society of Botanical ArtistsDistant Learning Diploma Course, and as part of the course, had to keep a botanical sketchbook. I am a bit of a sketchbook junkie and loved this part of the course. I finished the course in 2012 with distinction and had the honour of having my sketchbook work included in the SBA’s recent publication, “The Handbook of Plant Form” by Margaret Stevens and Ernest E Clarke.

This blog is a way for me to revisit some of these old sketches, and link them with sketches and studies from more recent work. The gourd studies were done in preparation for one of my final diploma pieces which had to be a fruit or vegetable painting.
The Gruesome Gourds

I started off by doing some charcoal studies to get a sense of form. I love using charcoal- it's quicker than graphite and can be very effective.




Then the fun begins- colour studies in my sketchbook. This sketchbook is the one given to us for the purpose of the course, and although I loved the size (A4), the paper wasn't great with washes and tended to buckle.



I played with frisket to see if I could get the patchy colour whilst retaining the smoothness of the skin. I especially loved this Turk's Cap squash (Cucurbita maxima), and felt that it would be lovely as an illustration for a fairy tale. One day perhaps! I didn't finish this, probably because I was under pressure for time to get the diploma piece started!



It was around this time that I also discovered the wonderful mixes that you can get from Perylene maroon, thanks to my fellow artist and friend Jarnie, at Sketchbook Squirrel. I just love that colour...it's so useful!



Finally a few scribbled thumbnails to get the composition right- you see, not every page is perfect! 

 I thought I'd also include a page of these weird and wonderful hazelnuts (Corylus colurna) that can probably be found in a park near you... that's if the squirrels haven't got to them first!