Showing posts with label Draw In. Show all posts
Showing posts with label Draw In. Show all posts

Saturday, 6 September 2014

A Creative Buzz


 The Paper Elephant Exercise (photograph by David Bell)

“Drawing is a gateway to creativity.” 
Julie Douglas

Last weekend I had the honour and privilege of being invited to take part in Draw-In, a Drawing Symposium in the Belfast College of Art.  I was really excited at the idea of meeting such an impressive group of artists, but I was also a teeny bit daunted. It’s only recently that I’ve started to put the word ‘artist’ beside my name, and all the invited artists were jaw-droppingly talented and very accomplished. Real artists! To add to my mounting fears, I would also have to speak to the large crowd of art lovers and students who were coming along to the event.

Me with the wonderful Julie Douglas!
I needn’t have worried. Julie Douglas, the organiser and a brilliant artist herself, is one of those people who immediately puts everyone at ease with her mega-watt smile and warm personality.

Julie calls herself as a ‘Creative Experience Navigator’and her students describe her as "Different, Delicious and Refreshing." She really is!!
The day began with a really great exercise. Everyone was given a piece of paper and told to stand up. We then had a minute to tear out the shape of an elephant, behind our backs and NO peeking. The results were unpredictable and quite funny- try it! It's not as easy as it sounds!

My paintings and sketchbooks were on display too

The art-lovers and students were great- really encouraging, asking just the right questions and showing a genuine interest in the creative process.  Two of the artists, Colleen Barry and Matt Weigel, had flown over from the States to attend the Symposium, and also to give workshops in classical realism. Their work is superb, and the results from the workshops were quite impressive.


Peter Cooper, ‘the animated animator’, kept us all entertained whilst he created (and acted out) one of his creatures, a pot-bellied man eater. I loved his dragons. To add to the experience, we were all given sculpey to knead and pull into shapes whilst we listened and watched. Some of these audience creations were incredible. 

Master and model... the great PJ Lynch and Rory, Julie's son
PJ Lynch has long been an art hero of mine. He is the most wonderful illustrator and his books have charmed and delighted a whole generation of children and parents, myself included. PJ did a portrait demonstration in oils, and managed to complete it in an hour whilst answering a barrage of questions about his techniques from the audience. You can see more photographs of the day on his blog here

The master at work!
I really enjoyed talking to PJ and found him incredibly inspiring, so much so, that I am going to throw caution to the wind and join him on one of his portrait workshops in a few week’s time. I’m looking forward to the challenge of painting an unfamiliar subject in a new medium with huge brushes! 

A selection of PJ's sketches and books

Aidan McGrath had some fantastic photographs that I had to look really closely at, because they looked just like finely detailed paintings. I also brought up the incredibly inspiring sketchbooks of Susan Sex, one of Ireland’s best known botanical artists.

Paul's talk was captivating
However,  I think it was the talk given by Paul Foxton than resonated the most with me. Paul is one of those gently spoken souls who has a wonderfully philosophical approach to art. He is deeply interested in the cultures of the Far East. He showed us some of his techniques and spoke so eloquently about the sensitivity of charcoal, that I wanted to rush out and start drawing in charcoal there and then. He encouraged everyone to develop an art habit, even if it was simply a matter of ensuring that you sat down at your table and opened your sketchbook every day. 
His blog learning-to-see is equally motivating and well written. It’s definitely worth checking out.

“Every time we immerse ourselves completely in an act of creation (no matter how insignificant it might seem) we have arrived. Every time we do that, we transform ourselves a little more: we find more peace, develop our focus and attention a little more, become stronger in ourselves.”
 -Paul Foxton

At the end of the day, once the crowds had gone home, the artists all went for a meal together. The conversation was brilliant, exciting, motivating and interesting. There was a creative buzz in the air- I caught it, put it in my pocket and took it home.

“The soul should always stand ajar, ready to welcome the ecstatic experience.”

― Emily Dickinson

Friday, 4 April 2014

Daffodil Days

Golden daffodils are always the first to appear each year, heralding the start of spring and the promise of warmer brighter days.


 William Wordsworth's beautiful poem comes to mind whenever I see them.

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze. 

Feeling quite cheerful myself, I decided to paint daffodils in this month’s Nature Trail sketchbook. This sketchbook belongs to Julie Douglas, a remarkably talented artist living in Belfast. Julie teaches art, or rather, she inspires her students to paint. Her sketchbook is certainly a reflection of her personality… it’s bold, it’s fun and it dares you to step out of your comfort zone!

Daffodils would certainly make a statement, but they were also going to be a challenge, not least because they are yellow. Yes, I know that I’ve grumbled about greens before, but yellow is a tricky pigment too. How do you depict subtle hue changes and the delicate nuances of light and shade, when you can’t mix in another colour? Yellow mixed with any other colour is just not yellow.

A old sketchbook study proved really useful in terms of colour and technique. The top flower on the right was done mixing yellows with shade colours, the one beneath was done using shade first, followed by a wash of yellow
The answer is layering. You need to paint the underlying shade tone first and very lightly build up the form of the flower in soft greys. I found that my daffodils had two shades of grey- one leaning to green (cerulean+ cobalt violet+ perylene green) and the other leaning to purple (cerulean+ cobalt violet + light red). Once you have established the form of the flower, you can then paint over with a washes of yellow.

I began with some very quick loose sketches on cheap A4 paper just to get the feel of the plant. I did lots and lots of these quick sketches and most were not as neat as this one!!

Once I have drawn out my flower, I paint over the pencil lines with a thin line of the paint and then erase the pencil lines.

I used lemon yellow, winsor lemon and winsor yellow as my cooler yellows, whilst cadmium yellow, winsor yellow deep and winsor orange provided the warmer tones of the corona.


The result is a page of happy daffodils. I think it’s a bit looser than my normal style but I quite like that.

And then my heart with pleasure fills, And dances with the daffodils.
(William Wordsworth)

Draw In

I’ve another reason to be smiling this week. I’ve been invited to take part in a Symposium to celebrate the value of Drawing, which will take place in the Belfast School of Art Saturday 30th and Sunday 31st  August.



 This event will bring together some incredibly talented artists, PJ Lynch, Colleen Barry, Paul Foxton, Julie Douglas, Peter Cooper, Matt Weigle, Ian McAllister and Katherine Tyrrell, all of whom are passionate about art. 

"The aim is to celebrate excellence in drawing. You will view some amazing drawings, paintings, sketch books and work in progress by the invited artists and learn how to improve your own skills in a friendly, inclusive environment. Drawing is relevant and contemporary, even in this world of technology. Drawing is a powerful tool towards personal well being, far beyond the delicious act of mark-making itself. Drawing is not a luxury, it is a necessity."

There will be workshops, talks, demonstrations, and lots of creative and inspiring ideas being shared. As well as the weekend workshops, there will be workshops running the week before and also the week after. 
You can read more about the event on Katherine Tyrrell’s excellent blog Making a Mark.

Please take time to check out the Draw In website too- it's wonderful!