Plans, Paintings and Promises 2015

I never make New Year's resolutions, but writing a plan at the beginning of last year seemed to set the pace for the year ahead. Although I didn’t quite manage to do everything on my list, just having a positive approach can make all the difference.

 So here goes-

1. Positive steps towards promoting my art

Please pop along and have a look!  https://www.facebook.com/shevaundohertyart

I have been dithering about promoting my artwork for far too long. This blog was my first step forward and it has definitely helped me to gain confidence as an artist. So this year I am taking the next step. I have just set up a Facebook Page for my art. Now I will work on getting a website up and running.

2. Exhibitions to Aim for

What is an art plan without exhibitions?

Daffodil Days

Golden daffodils are always the first to appear each year, heralding the start of spring and the promise of warmer brighter days.

 William Wordsworth's beautiful poem comes to mind whenever I see them.

I wandered lonely as a cloud

That floats on high o'er vales and hills,

When all at once I saw a crowd,

A host, of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze. 

Feeling quite cheerful myself, I decided to paint daffodils in this month’s Nature Trail sketchbook. This sketchbook belongs to Julie Douglas, a remarkably talented artist living in Belfast. Julie teaches art, or rather, she inspires her students to paint. Her sketchbook is certainly a reflection of her personality… it’s bold, it’s fun and it dares you to step out of your comfort zone!

Daffodils would certainly make a statement, but they were also going to be a challenge, not least because they are yellow. Yes, I know that I’ve grumbled about greens before, but yellow is a tricky pigment too. How do you depict subtle hue changes and the delicate nuances of light and shade, when you can’t mix in another colour? Yellow mixed with any other colour is just not yellow.

A old sketchbook study proved really useful in terms of colour and technique. The top flower on the right was done mixing yellows with shade colours, the one beneath was done using shade first, followed by a wash of yellow

The answer is layering. You need to paint the underlying shade tone first and very lightly build up the form of the flower in soft greys. I found that my daffodils had two shades of grey- one leaning to green (cerulean+ cobalt violet+ perylene green) and the other leaning to purple (cerulean+ cobalt violet + light red). Once you have established the form of the flower, you can then paint over with a washes of yellow.

I began with some very quick loose sketches on cheap A4 paper just to get the feel of the plant. I did lots and lots of these quick sketches and most were not as neat as this one!!

Once I have drawn out my flower, I paint over the pencil lines with a thin line of the paint and then erase the pencil lines.

I used lemon yellow, winsor lemon and winsor yellow as my cooler yellows, whilst cadmium yellow, winsor yellow deep and winsor orange provided the warmer tones of the corona.

The result is a page of happy daffodils. I think it’s a bit looser than my normal style but I quite like that.

And then my heart with pleasure fills, And dances with the daffodils.

(William Wordsworth)

Draw In

I’ve another reason to be smiling this week. I’ve been invited to take part in a Symposium to celebrate the value of Drawing, which will take place in the Belfast School of Art Saturday 30th and Sunday 31st  August.

 This event will bring together some incredibly talented artists, PJ Lynch, Colleen Barry, Paul Foxton, Julie Douglas, Peter Cooper, Matt Weigle, Ian McAllister and Katherine Tyrrell, all of whom are passionate about art. 

"The aim is to celebrate excellence in drawing. You will view some amazing drawings, paintings, sketch books and work in progress by the invited artists and learn how to improve your own skills in a friendly, inclusive environment. Drawing is relevant and contemporary, even in this world of technology. Drawing is a powerful tool towards personal well being, far beyond the delicious act of mark-making itself. Drawing is not a luxury, it is a necessity."

There will be workshops, talks, demonstrations, and lots of creative and inspiring ideas being shared. As well as the weekend workshops, there will be workshops running the week before and also the week after. 

You can read more about the event on Katherine Tyrrell’s excellent blog Making a Mark.

Please take time to check out the Draw In website too- it's wonderful!

Plans, promises and paintings 2014

"Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning." Albert Einstein

Normally I’m not one for making New Year Resolutions as they usually involve the half-hearted renouncement of chocolate and mince pies, and earnest vows to become fitter. Usually these good intentions are forgotten by the end of January . 

So this year, I have decided instead to make a List of Plans and Promises relating to my artwork which I hope will be easier to keep!

       SBA Membership- Top of my wish list is to become a full member of the Society of Botanical Artists.   

  I’m already half way there but it’s been a long hard journey. First step was to complete 27 months of course work, which earned me a Diploma with distinction. Then, last year I had to have six paintings accepted into the annual exhibition to become an Associate member. Now I face the final challenge of having five more paintings accepted into the SBA annual exhibition at Westminster.  I’ve one more to paint and then it’s fingers crossed. If I don’t get accepted, then I’ll be doing five more next year!

A lovely gift to keep me busy throughout the year.

·      Vellum- I am really enjoying painting on vellum. It imbues such a softness to watercolours and is quite thrilling to work on. My very kind parents gifted me with a lovely fat parcel from Wiliam Cowley with a selection of vellums to play with. Although the kelmscott is considered the crème de la crème  for botanical artists, I really like the look of the natural calfskin with it’s honey colour and natural flaws. Yes, working on different vellums is definitely on the list!

A sketchbook page from last spring- I'm looking forward to doing more studies like this in 2014

    Sketchbook – I am really excited about a project which I hope will kick off in the next few weeks… a Sketchbook Exchange which involves some very talented and inspiring friends. We have all ordered our dinky little sketchbooks from Stillman and Birn and the plan is to paint and post these sketchbooks to each other throughout the year. I am looking forward to trying out new ideas and getting creative! 

The Gilder's Tools

    Gold-  Ah, the glitter of gold always catches my eye! I love illuminated manuscripts and old books, and inspired by my recent trip to the Chester Beatty Library, have decided that this year I am going to try to combine contemporary botanicals with gold and silver leaf, perhaps on vellum. Fortunately my mother is a gilder and so I have a very handy supply of materials (and an enthusiastic mum) on hand.

Off it goes!

       Travel-  This year already is promising to be a great one for travelling. One of my paintings is soon off to Spain for a very exciting exhibition (more later!) and hopefully I will be going to visit it there.  Then there is the SBA exhibition in London in May. Shortly after that I’ll be heading back to Egypt for the summer where I plan to do lots of painting.

Nothing beats painting by the pool!

·        RHS work- Last year my work was deemed "of an acceptable standard" by the RHS, and so I hope to start work on a series of paintings of dates (Phoenix dactylifera) this summer. I love the light in Egypt and am spoilt for choice with all the beautiful date trees that grow there.

Painting dates in Egypt,2013

·        Tie up loose ends- I think every artist has a few unfinished pieces in their studio and I’m no exception. I started this barn owl last year as a present for my brother. It’s almost done, so I’ve no excuse!

 

Ben's barn owl, 2013

          Explore composition- I was really inspired by Thorntons’ The Temple of Flora and loved how the artists painted backgrounds to complement the portrait of the plant. Each painting told the story of the plant- the where, when and how it grows in it’s habitat. It’s definitely something that I feel could be explored more thoroughly. One of the sites that I have have bookmarked is KatherineTyrrell’s Making A Mark Resource page on Composition. There is a lot there to read and take in, but it’s worth reading carefully.

Perhaps a painting of spring bulbs could have a wintry background such as this? 2013

·        And finally, I want to keep blogging, at least until the end of the year. It’s been very helpful to me to verbalise my thoughts and plans. I usually have far too many ideas and don’t always write them down, so this is a great way to get myself organised. Let’s hope that I’ve more willpower than I do with chocolate!

 Happy New Year everybody!!

“Whatever you can do or dream you can, begin it. Boldness has genius, magic, and power in it.”       -Johann Wolfgang von Goethe