Watercolour Paper Review- Botanical Ultra Smooth

A review of the new Botanical Ultra Smooth paper from St Cuthberts Mill

In recent months, watercolour paper has been a hot topic across social media. 

Many botanical artists, like myself, use the Fabriano Artistico Hot Press paper, and recent changes to the manufacturing process have left lots of artists feeling less than satisfied.  St. Cuthberts Mill, a British company, recently brought out two new papers, which they are marketing as an alternative- Saunders Waterford HP and the Botanical Ultra Smooth. 

So, when Jackson’s Art contacted me and asked me to try out the new Botanical Ultra Smooth for them, I immediately said yes. I haven't had any problems with the Fabriano Artistico myself, as I still have a reasonable stock of it, but like many, have been wondering what paper to get when I need to order more. There have been mixed reports about the Botanical Ultra Smooth (some good, some bad), so I was curious to see for myself just how this new paper performed.

Saving the Art of Vellum

A blog post on why I am happy that the art of vellum is being saved.

Laburnum anagyroides on vellum (crop)

I awoke today to hear the very good news that the British Government were not going ahead with their plans to stop using vellum for their archive copies of UK Acts of Parliament. 

The arguments for changing from vellum to archival paper were purely financial, because it is inconceivable that anyone would want to lose a centuries old tradition that includes the Domesday Book (1086) and the Magna Carta (1215). By switching to paper, the UK government claimed that they would save £80,000 per annum, although in fact, they only pay £46,000 p.a. to William Cowley’s, the sole producer of vellum in the UK and Ireland. It goes without saying, that the Irish Government would also quickly move to adopt such a decision if it was to go ahead.

So why do I care?

Expressive Lines

“The song of the curved line is called happiness.”

Rene Crevel

What is a line, and how can we use it to improve our art?

Art begins with a line.

Sometimes it’s tentative, thoughtful, exploring. 

Sometimes it’s quick, bold and confident.

The Artistic Process

Blechnum gibbum studies © Shevaun Doherty

“Love the process and the painting will happen”

A friend once remarked that being a botanical artist is as much about loving the artistic process as it is about the painting. 

It’s true. I get a huge amount of pleasure out of creating study sheets and colour charts, chasing a leaf or flower across a sketchbook page, each time tweaking the colour mixes until it’s just right.

Although there is an element of play in this, the notes that I make are also extremely useful. I’m constantly pulling out old sketchbook studies to find out what colour mixes I used to get a particular shade of green, or how to achieve a particular texture.

Limonium sinuatum colour notes

Sketchbooks and study notes help me explain my process to other artists, particularly those who are just starting their own botanical art journey. I think it’s a bit of a relief for them to see the messy bits and the occasional crises of confidence (help! I’ve forgotten how to paint) !

It doesn't always work out, but making mistakes is part of the process

Very often our focus is on the destination and not on the journey, and that can lead to a creative block. It’s important to stop worrying about the finished painting, that ominous blank sheet of paper, and just enjoy the creative process that is needed to get us to that point. 

It’s only paper after all.

Phoenix dactylifera leaf studies... a case of trial and error!

Here are 6 steps to my artistic process-

Plans, Paintings and Promises 2016

'Great Egg-spectations'  ©Shevaun Doherty 

You’re off to great places! Today is your day! Your mountain is waiting, so get on your way! 

Dr Seuss

I really enjoy writing this post, because whenever I think about my plans for the year ahead, I inevitably end up feeling really excited! 

Already 2016 looks like it will be a whirlwind of art-filled fun!

Blogging

I promise to blog more regularly in 2016. Recently my weekly blogposts have fallen by the wayside, mainly because I am doing an evening course on Digital Marketing as well as painting full time. The online art market is such a fascinating subject, and definitely something that all artists should learn more about. So as well as sharing art tips and techniques on my blog, I will also be writing articles on how to tackle the dizzying world of social media.